1. Training examples
Participants first used three training examples to learn the interface and set a comfortable listening level.
SoundSketcher experiments
A listening task for sounds that do not offer a stable fundamental frequency: noise bands, clusters, environmental textures, and other sounds whose pitch height is perceptually real but acoustically ambiguous.
Participants listened over headphones and matched each sound to a sine tone by adjusting its frequency along a logarithmic 40–6000 Hz scale.
Participants first used three training examples to learn the interface and set a comfortable listening level.
For each study sound, they adjusted a sine tone until it matched the perceived pitch height of the sound.
When no convincing pitch match was available, they could mark the trial as no match.
Pick a stimulus, play it, then hold the frequency slider to hear the sine tone and move it until both sounds share the same pitch height.
Hold the slider to hear the sine tone, then release to stop it.
JASA Express Letters · 2026
Beyond fundamental frequency: Pitch height judgments in Indefinite-Pitch sounds
SoundSketcher needs a vertical pitch-like mapping for electroacoustic and environmental sounds, not only for harmonic tones. This experiment supports a practical idea: when fundamental frequency is unreliable, perceptually weighted spectral information can still guide graphical placement.
@article{Velenis2026,
author = {Velenis, Konstantinos and Zacharakis, Asterios and Cambouropoulos, Emilios},
title = {Beyond fundamental frequency: Pitch height judgments in Indefinite-Pitch sounds},
journal = {JASA Express Letters},
volume = {6},
number = {4},
year = {2026},
doi = {10.1121/10.0043569}
}