SoundSketcher experiments

Indefinite-Pitch Sounds

A listening task for sounds that do not offer a stable fundamental frequency: noise bands, clusters, environmental textures, and other sounds whose pitch height is perceptually real but acoustically ambiguous.

48listeners
19non-harmonic sounds
1sine-matching task

How the data was collected

Participants listened over headphones and matched each sound to a sine tone by adjusting its frequency along a logarithmic 40–6000 Hz scale.

1. Training examples

Participants first used three training examples to learn the interface and set a comfortable listening level.

2. Sine-tone matching

For each study sound, they adjusted a sine tone until it matched the perceived pitch height of the sound.

3. No-match option

When no convincing pitch match was available, they could mark the trial as no match.

Try the task

Pick a stimulus, play it, then hold the frequency slider to hear the sine tone and move it until both sounds share the same pitch height.

Loading sounds...
Study set 0 of 0
Sinusoidal match 440 Hz
80%

Hold the slider to hear the sine tone, then release to stop it.

Stimuli

Key findings

Result figures

Pitch matches per sound
Distribution of listener pitch matches per stimulus, highlighting agreement and dispersion across sounds.
Spectral centroid versus perceived pitch with stimulus labels
Stimulus-level pitch judgments against spectral centroid, with compact stimulus labels.
Perceived pitch versus loudness-weighted spectral centroid
Median perceived pitch height plotted against loudness-weighted spectral centroid, showing the main acoustic-perceptual relationship.
Mixed-effects model marginal effect
Mixed-effects model view of the contribution of loudness-weighted spectral information to pitch-height judgments.

Publication

JASA Express Letters · 2026

Beyond fundamental frequency: Pitch height judgments in Indefinite-Pitch sounds

Konstantinos Velenis, Asterios Zacharakis & Emilios Cambouropoulos

SoundSketcher needs a vertical pitch-like mapping for electroacoustic and environmental sounds, not only for harmonic tones. This experiment supports a practical idea: when fundamental frequency is unreliable, perceptually weighted spectral information can still guide graphical placement.

Cite this work (BibTeX)
@article{Velenis2026,
  author  = {Velenis, Konstantinos and Zacharakis, Asterios and Cambouropoulos, Emilios},
  title   = {Beyond fundamental frequency: Pitch height judgments in Indefinite-Pitch sounds},
  journal = {JASA Express Letters},
  volume  = {6},
  number  = {4},
  year    = {2026},
  doi     = {10.1121/10.0043569}
}